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Tutor Feature Articles
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Kay Chapman - “anyone can learn to draw… it’s easy, when you know how!”
Kay loves nature and the landscape, the subtleties of light, shadow and the moods of changing seasons. She particularly likes the landscape within the Bathurst Regional Area: rolling hills, lovely little streams and beautiful rivers, secret places to withdraw and rejuvenate. Kay is also inspired by rural historical buildings, whether magnificent heritage structures or someone’s humble corrugated iron abode of days long gone. Equally important for Kay is the subject of still life, capturing a moment in time.
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Wildlife Art
With the special inspiration that wildlife gives us for painting, this workshop will concentrate on how to bring animals to life, capturing emotion and character. Kate will explore the process of building a painting from the initial concept through to completion using colour, light and good composition to create mood and atmosphere.
Oil Painting Techniques
Through demonstration and discussion, Kate will cover the oil techniques she uses whether painting from life, photos or sketches in a warm, friendly and enthusiastic environment. Students will be encouraged to express and explore the vital elements of their own artistic process.
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Myléne Hillam (pronounced Millane) is a mixed media artist living in Queensland. She is a sought after designer and teacher who travels the country demonstrating and teaching a variety of art and crafting media at retail and trade shows. She also teaches a broad range of workshops which include an introduction to resin bangle making, jewellery making and mixed media art. Her work is regularly featured in jewellery and general craft magazines throughout Australia and the US.
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Once a medical technologist daily using a microscope, the progression to studying nature with a camera and then a paintbrush seemed a natural one for Wendy Jennings after living in some of Australia’s diverse National Parks over 30 years.
"Realism and accuracy are the key to work, down to the tiny insect always present. I have developed an affinity with nature and love discussing it with clients or with visitors at exhibitions and workshops. My aim is to stimulate an interest in the conservation of the world’s wildlife and its habitats. I have had no formal art training but took it up while living in a remote park as a hedge against the loneliness. It did not take long before it became an obsession. There is much to be learnt from nature. We should not separate ourselves from it, or think we are greater than it, or we may miss something it has to teach us."
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Meredith (Meri) Peach has had professional careers in both art and biology, and her biological background informs much of her artwork. Originally an illustrator, she later switched to biological research, then resumed working as an artist in 2002.
Meri now produces functional and sculptural baskets, paintings on canvas, mixed media artworks and digital illustrations. Since 2004 Meri has worked almost full-time as an artist, with a sideline in biological education and consulting. She has taught workshops in basketry since 2005.
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Born in Guildford Surrey in the UK in 1950, Bill trained initially as a Design Draftsman. He has painted professionally since 1980 and has had over 30 solo and group exhibitions He has travelled widely, painting and surfing and now lives near Yallingup in the South-West of Western Australia.
Bill exhibits regularly in Australia. He has shown work at Abney Gallery in New York and had a solo exhibition at Gallery 90 in the UK.
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Australian Wilderness Artist
During the recent Mitchell School of Arts, we had the pleasure of meeting Robyn Collier as she was running a workshop in the room next door. The workshop was called Working with Water. As the week progressed the days became hotter… I really enjoyed popping into Robyn’s class as the art works depicted stunning water scenes. Some waves could almost be touched and I longed to dive into them!
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Coloured pencils have been my passion ever since I was re-introduced to them as a ‘serious medium’ while at Uni, while I’ve always loved graphite – Janet M
Janet’s brilliant use of coloured pencils and graphite has justifiably placed her in the forefront of artists using her chosen medium and her realistic, detailed and gentle drawings of animals and birds full of personality and humour, are keenly collected in Australia and overseas.
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Art has always played a part in my life - sometimes all consuming, sometimes pushed aside because of other commitments.
Born in Kojonup, a town in Western Australia's south west, the only child of parents who operated a bakery and tea rooms, much of my childhood was spent finding things to occupy myself.
I have always loved drawing and we were fortunate enough to have a “resident artist", Mr. Battie, who (I suspect as a favour to my mother) agreed to give me lessons.
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Leonie Norton is a renowned Sydney based botanical artist and international tutor, where her knowledge and skills are in high demand throughout Australia and many overseas destinations. She is past President of the Botanical Art Society of Australia and is the author of a recent book published by the National Library of Australia, ‘Women of Flowers: Botanical Art in Australia from the 1830s to the 1960s’.
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| John Ellison, Sunflowers |
Well known Katoomba artist John Ellison holds regular workshops in Art & Creativity. Over the years John has established a reputation as an innovative & original teacher in the field of creativity.
In her book 'An Authentic Life', Carolyn Jones commented, 'The Blue Mountains artist John Ellison thinks along the same lines. He teaches people to see with this inner eye.
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Judith White trained at the National Art School, gained a Bachelor of Arts majoring in Fine Arts through Sydney University, and is a member of the Australian Watercolour Institute. Judith has been a practicing professional for 30 years with 38 solo exhibitions in Australia, and Japan.
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Workshops held at the Silken Tent, in Braidwood, NSW
Gill Burke trained at Hastings School of Art, UK, more years ago than she cares to remember. She then worked as a Scenic Artist, painting theatre scenery for Repertory Theatre, film sets and pantomime backcloths. From then on however, Gill’s career path took many and various turns until it circled back to art again.
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Colley Whisson is a modern impressionist painter and sought after tutor with a love of painting the light and its effect on the chosen subject.
Colley was born in Brisbane, Australia on the 6th May, 1966. He is a third generation artist carrying the Whisson name. After doing a year of picture framing he began oil painting in 1986.
When painting Colley aims for a realist image with much artistic content, paying close attention to the arrangement of each painting to maximise the visual image.
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In her role as teacher with the Tom Bass Sculpture Studio, Wendy Black brings experience, understanding and an element of fun when working with inexperienced and advanced sculpture students.
A senior teacher with the Tom Bass Sculpture Studio School since 2004, Wendy simultaneously teaches the Beginner and General workshop programs on Thursday morning and afternoons. The popularity of the structured Beginner program has seen many of Wendy’s students return to tackle interesting and challenging projects under her guidance.
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Kate French has been a practising artist in the field of sculpture and painting for twenty years. Her sculptural speciality is the Human Face. For the past eight years she has been teaching Sculptural Portraiture, in various formats, at venues around the country.
Her ability to relate to, and teach all levels of experience make her the most sought after Tutor in this field in Australia.
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Featured Art Books

Colour and Light in Oils
Often seen as dark and gloomy, oils can, in fact, be used to create colourful and light paintings that are wonderfully expressive. One significant characteristic of oil paint is its richness and depth of colour, something that is of particular interest to Nicholas Verrall. Immediately striking in all his pictures is the skilful way he handles colour to interpret the special qualities of light and mood found in a certain moment in time.


The Oil Painting Book: Materials and Techniques for Today's Artist
This reference to painting with oils compares leading brands of paints. It describes mediums, solvents and varnishes; illustrates brushes, pallettes and other tools; and shows both traditional and unconventional techniques.


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